My Feelings Relating to the Word "Relatable"

I wrote the post below the second time I taught Nonfiction writing, so it's several years old at this point. But a couple weeks ago I referred in passing to my dislike of (and resignation regarding) the word "relatable," and a student in fourth period was curious about a fuller explanation, so I am reproducing the post here in the unlikely event that you want to hear my whole rationale for why I dislike the word. (Note that I wrote this back when I was not resigned to its use, so I was more inclined to rant about it. Now that I'm resigned, there's really no point. I'm sure you can relate :)

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Nonfiction Writing is one of my favorite classes to teach. I love spending a semester helping students learn how to write eloquent, concise, engaging personal essays and seeing them develop a compelling writing voice of their own.

The last time I taught Nonfiction Writing was the first time I came across the word "relatable" in my students' writing. A student or two described the voice or tone or topic of an essay we'd read as "relatable." My reaction to this word was negative, but it didn't seem like a big deal, since it didn't come up more than a couple times. I may have mentioned the word to my students, and if I did, I may have told them that it's not a real word. I may not have. I don't remember. I certainly remember thinking "That is not actually a word, and if it were... feh."

That was a couple years ago, and now I'm teaching the class again. And in the first assignment I collected, where students responded to several essays of their own choosing, I came across the word "relatable" at least a dozen times. One student, normally a clear, precise, and confident writer, used the word a total of four times in a two-page paper.

I've been an English teacher long enough to know that before I make some pronouncement to my class, along the lines of "That's not a real word" or "The correct pronunciation is...," I need to check my sources. The English language is vast, complex, and ever-changing. We are fortunate to have a gigantic vocabulary at our disposal, and our words come from every corner of the globe, with new ones being added and old ones morphing into new ones all the time.

So I looked up "relatable" and found that it is indeed in the dictionary. Of course it's in the dictionary, because it is in fact a word. It means "able to be related." Like a story. But that's not how my students are using it. They mean "able to be related to." And according to my beloved ginormo desk dictionary, the American Heritage Dictionary of the English Language (5th edition), that's not the definition. "Relatable" is just there at the end of the entry for "relate," meaning that the AHDEL defines it my way, not my students' way.

Merriam-Webster's online dictionary, however, backs up the young'uns:

re·lat·a·ble/riˈlātəbəl/ Adjective: 1. Able to be related to something else.
2. Enabling a person to feel that they can relate to someone or something: "Kate's problems make her more relatable."

Why do I hate this word? It's not the very fact of turning a verb into a noun. "Debatable" is fine, as is "dependable" and "deniable." Partly it's the preposition thing. To relate something is very different than to relate to something, and part of me thinks that therein lies my issue.

But no. I'm not normally picky in that way. It is a little ugly to cram "to relate to" into an "able" ajective. But it's more than that.

I think my problem is an assumption that underlies the word: that if this character, this person, this being has something very obvious in common with me, I can "relate to" him, her, it, and thus I can validate him, her, or it. And if we have nothing in common that I can see from a cursory glance, then I might just feel that this voice isn't speaking to me. And I find that a bit solipsistic and shallow.

In fact, there's a better word that we English teachers have been promoting for years that fits the "relatable" bill but is less dependent on the reader's (or viewer's or listener's) experience and worldview being replicated by the artistic or writerly perspective in question. It's "sympathetic." The question of whether we can sympathize with a character, with a writer, with a voice is a much larger one, and (I would argue) enables a more sophisticated and a more outward-looking conversation.

Perhaps we need to promote sympathy as a better lens through which to evaluate writing than "relatability." And perhaps we need to have a conversation about other, more specific, less flabby words that fit into the big baggy mess that is "relatable." But I begin by rejecting the word.

I do not relate.